Cinema without Reflection traces an implicit film theory in Jacques Derrida’s oeuvre, especially in his frequent invocation of the myth of Echo and Narcissus. Derrida’s reflections on the economies of image and sound that reverberate in this story, along with the spectral dialectics of love, mirrors, and poiesis, serve as the basis for a theory of cinema that Derrida perhaps se...(展开全部)

Reflection without Rules offers a comprehensive, pointed exploration of the methodological tradition in economics and the breakdown of the received view within the philosophy of science. Professor Hands investigates economists' use of naturalistic and sociological paradigms to model economic phenomena and assesses the roles of pragmatism, discourse, and situatedness in discussi...(展开全部)

Reflection without Rules offers a comprehensive, pointed exploration of the methodological tradition in economics and the breakdown of the received view within the philosophy of science. Professor Hands investigates economists' use of naturalistic and sociological paradigms to model economic phenomena and assesses the roles of pragmatism, discourse, and situatedness in discussi...(展开全部)

You are a Java developer. You are asked to add a simple feature to your application. But "simple" can be deceiving: you have to make many changes, in locations which can be difficult to find. If this sounds familiar, you want to know about Java reflection. With reflection, you can work smarter by designing flexible applications to which you can easily add likely new requirement...(展开全部)

You are a Java developer. You are asked to add a simple feature to your application. But "simple" can be deceiving: you have to make many changes, in locations which can be difficult to find. If this sounds familiar, you want to know about Java reflection. With reflection, you can work smarter by designing flexible applications to which you can easily add likely new requirement...(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)

This graduate textbook presents a concrete and up-to-date introduction to the theory of Coxeter groups. The book is self-contained, making it suitable either for courses and seminars or for self-study. The first part is devoted to establishing concrete examples. Finite reflection groups acting on Euclidean spaces are discussed, and the first part ends with the construction of t...(展开全部)

Gilles Deleuze has produced some of the most important -- and most formidable -- theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.

Gilles Deleuze has produced some of the most important -- and most formidable -- theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.